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  <title type="html"><![CDATA[Dioniso e la Pantera Profumata]]></title>
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  <updated>2008-05-21T21:28:59+02:00</updated>
  <subtitle type="html"><![CDATA[Le donne, dunque, hanno lasciato le nostre case, simulando invasamenti bacchici e vanno correndo su nei monti ombrosi e onorerebbero con le loro danze quel dio di nuova data, Dioniso. Chi sia veramente nessuno lo sa. Uno tizio, uno straniero venuto dalla Lidia, un ciarlatano che fa incantesimi e sortilegi: dai riccioli biondi della sua chioma emana un buon profumo, il suo colorito è del colore del vino, negli occhi ha le grazie di Afrodite, è uno che i giorni e le notti, col pretesto dei misteri di Baccim si trova insieme con le giovinette.<br>
<br>
<i>Le Baccanti,</i> Euripide]]></subtitle>
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  <name>AstroDelMattino</name>
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  <entry>
    <title type="html"><![CDATA[Drammaturgia]]></title>
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    <published>2008-05-21T21:28:59+02:00</published>
    <updated>2008-05-21T21:28:59+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
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    <![CDATA[<p>DRAMMATURGIA &egrave; una parola doppia, costituita da DRAMA (dramma) e ERGON (lavoro) : costruzione del dramma.
Il verbo DRAM (agire) e il sostantivo DRAMA (azione) modificano ancora il senso.
Da...</p><a href="http://dionysus.splinder.com/post/17194759/Drammaturgia" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/17194759/Drammaturgia#comment" >Commenti</a>
<br /><br />Tags: <a href="/myblog/tags/drammaturgia+dell+attore" rel="nofollow">drammaturgia dell attore</a><br /><br />
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  <entry>
    <title type="html"><![CDATA[Visionarietà]]></title>
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    <id>http://dionysus.splinder.com/post/17193177/Visionariet%C3%A0</id>
    <published>2008-05-21T19:25:38+02:00</published>
    <updated>2008-05-21T19:25:38+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
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    <![CDATA[<p>L'Attore come Atleta del cuore.
Artaud


Artaud fu un uomo di teatro totale, l'UOMO TEATRO. Pi&ugrave; di ogni altro pose le basi teoriche di una drammaturgia con il teatro della Crudelt&agrave; (...</p><a href="http://dionysus.splinder.com/post/17193177/Visionariet%C3%A0" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/17193177/Visionariet%C3%A0#comment" >Commenti</a>
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  <entry>
    <title type="html"><![CDATA[Vis Tecnica - ma mai tecnicistica]]></title>
    <link rel="alternate" type="text/html" href="http://dionysus.splinder.com/post/17191704/Vis+Tecnica+-+ma+mai+tecnicist" />
    <id>http://dionysus.splinder.com/post/17191704/Vis+Tecnica+-+ma+mai+tecnicist</id>
    <published>2008-05-21T17:34:02+02:00</published>
    <updated>2008-05-21T17:34:02+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
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    <content type="html" >
    <![CDATA[<p>L'attore dovrebbe diventare drammaturgo di se stesso.
Decroux


Lo dice in La mia definizione del teatro, un primo articolo che scrive.
Sua idea era eliminare il testo scritto e la parola in scena...</p><a href="http://dionysus.splinder.com/post/17191704/Vis+Tecnica+-+ma+mai+tecnicist" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/17191704/Vis+Tecnica+-+ma+mai+tecnicist#comment" >Commenti</a>
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  </entry>
  <entry>
    <title type="html"><![CDATA[La Drammaturgia dell'Attore]]></title>
    <link rel="alternate" type="text/html" href="http://dionysus.splinder.com/post/17191193/La+Drammaturgia+dell%27Attore" />
    <id>http://dionysus.splinder.com/post/17191193/La+Drammaturgia+dell%27Attore</id>
    <published>2008-05-21T16:53:42+02:00</published>
    <updated>2008-05-21T16:53:42+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
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    <![CDATA[<p>E' bene precisarne l'accezione, poich&egrave; cambia a seconda delle epoche: si tratta del lavoro vero e proprio dell'attore. 
E' importante definire le motivazioni e le peculiarit&agrave; che fanno...</p><a href="http://dionysus.splinder.com/post/17191193/La+Drammaturgia+dell%27Attore" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/17191193/La+Drammaturgia+dell%27Attore#comment" >Commenti</a>
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  <entry>
    <title type="html"><![CDATA[Nozione di Testo]]></title>
    <link rel="alternate" type="text/html" href="http://dionysus.splinder.com/post/16946803/Nozione+di+Testo" />
    <id>http://dionysus.splinder.com/post/16946803/Nozione+di+Testo</id>
    <published>2008-05-01T15:25:21+02:00</published>
    <updated>2008-05-01T15:25:21+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
    </author>
    <content type="html" >
    <![CDATA[<p>Ogni documento &egrave; in quanto tale un testo.Il documento visivo in quanto testo non ha un contenuto fissato a priori, ogni entit&agrave; discorsiva complessa ( testo ) non si pu&ograve; concepire...</p><a href="http://dionysus.splinder.com/post/16946803/Nozione+di+Testo" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/16946803/Nozione+di+Testo#comment" >Commenti</a>
<br /><br />Tags: <a href="/myblog/tags/novecento" rel="nofollow">novecento</a>, <a href="/myblog/tags/teatrologia" rel="nofollow">teatrologia</a><br /><br />
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    </content>
<category term="novecento" scheme="http://dionysus.splinder.com/tag" label="novecento" />
<category term="teatrologia" scheme="http://dionysus.splinder.com/tag" label="teatrologia" />
  </entry>
  <entry>
    <title type="html"><![CDATA[Iconografia]]></title>
    <link rel="alternate" type="text/html" href="http://dionysus.splinder.com/post/16946382/Iconografia" />
    <id>http://dionysus.splinder.com/post/16946382/Iconografia</id>
    <published>2008-05-01T15:08:02+02:00</published>
    <updated>2008-05-01T15:08:02+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
    </author>
    <content type="html" >
    <![CDATA[<p>L'iconografia diventa la disciplina sussidiaria della nuova teatrologia.
Lo studioso non ha mai potuto fare a meno delle immagini, ma solo da poco tempo ( da venticinque anni a questa parte) si...</p><a href="http://dionysus.splinder.com/post/16946382/Iconografia" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/16946382/Iconografia#comment" >Commenti</a>
<br /><br />Tags: <a href="/myblog/tags/iconografia" rel="nofollow">iconografia</a>, <a href="/myblog/tags/novecento" rel="nofollow">novecento</a>, <a href="/myblog/tags/teatrologia" rel="nofollow">teatrologia</a><br /><br />
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<br /><br />]]>
    </content>
<category term="iconografia" scheme="http://dionysus.splinder.com/tag" label="iconografia" />
<category term="novecento" scheme="http://dionysus.splinder.com/tag" label="novecento" />
<category term="teatrologia" scheme="http://dionysus.splinder.com/tag" label="teatrologia" />
  </entry>
  <entry>
    <title type="html"><![CDATA[Semiotica]]></title>
    <link rel="alternate" type="text/html" href="http://dionysus.splinder.com/post/16941707/Semiotica" />
    <id>http://dionysus.splinder.com/post/16941707/Semiotica</id>
    <published>2008-05-01T00:05:27+02:00</published>
    <updated>2008-05-01T00:05:27+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
    </author>
    <content type="html" >
    <![CDATA[<p>E' l'antidoto alla pratica selvaggia.
Essa d&agrave; un supporto fondamentale, considerata una metadisciplina o transdisciplina.
Non &egrave; considerabile quindi disciplina a s&egrave; stante, dona...</p><a href="http://dionysus.splinder.com/post/16941707/Semiotica" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/16941707/Semiotica#comment" >Commenti</a>
<br /><br />Tags: <a href="/myblog/tags/novecento" rel="nofollow">novecento</a>, <a href="/myblog/tags/teatrologia" rel="nofollow">teatrologia</a><br /><br />
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<br /><br />]]>
    </content>
<category term="novecento" scheme="http://dionysus.splinder.com/tag" label="novecento" />
<category term="teatrologia" scheme="http://dionysus.splinder.com/tag" label="teatrologia" />
  </entry>
  <entry>
    <title type="html"><![CDATA[Oggetto Teorico e Metodo]]></title>
    <link rel="alternate" type="text/html" href="http://dionysus.splinder.com/post/16941640/Oggetto+Teorico+e+Metodo" />
    <id>http://dionysus.splinder.com/post/16941640/Oggetto+Teorico+e+Metodo</id>
    <published>2008-04-30T23:58:50+02:00</published>
    <updated>2008-04-30T23:58:50+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
    </author>
    <content type="html" >
    <![CDATA[<p>Revisione profonda dell'Oggetto Teorico e del Metodo.
L'oggetto teorico&nbsp;- l'oggetto di studio - si sposta, nel Novecento. 
La </p><a href="http://dionysus.splinder.com/post/16941640/Oggetto+Teorico+e+Metodo" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/16941640/Oggetto+Teorico+e+Metodo#comment" >Commenti</a>
<br /><br />Tags: <a href="/myblog/tags/novecento" rel="nofollow">novecento</a>, <a href="/myblog/tags/teatrologia" rel="nofollow">teatrologia</a><br /><br />
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    </content>
<category term="novecento" scheme="http://dionysus.splinder.com/tag" label="novecento" />
<category term="teatrologia" scheme="http://dionysus.splinder.com/tag" label="teatrologia" />
  </entry>
  <entry>
    <title type="html"><![CDATA[Teoria, Storia, Pratica]]></title>
    <link rel="alternate" type="text/html" href="http://dionysus.splinder.com/post/16941366/Teoria%2C+Storia%2C+Pratica" />
    <id>http://dionysus.splinder.com/post/16941366/Teoria%2C+Storia%2C+Pratica</id>
    <published>2008-04-30T23:26:08+02:00</published>
    <updated>2008-04-30T23:26:08+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
    </author>
    <content type="html" >
    <![CDATA[<p>E' di particolare importanza il rapporto degli studi teatrali con la pratica.
E' una questione controversa a causa dei notevoli sbilanziamenti che viziano il concetto.
In Italia la preparazione degli...</p><a href="http://dionysus.splinder.com/post/16941366/Teoria%2C+Storia%2C+Pratica" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/16941366/Teoria%2C+Storia%2C+Pratica#comment" >Commenti</a>
<br /><br />Tags: <a href="/myblog/tags/novecento" rel="nofollow">novecento</a>, <a href="/myblog/tags/teatrologia" rel="nofollow">teatrologia</a><br /><br />
<a href="http://www.splinder.com/blogthis?url=http%3A%2F%2Fdionysus.splinder.com%2Fpost%2F16941366%2FTeoria%252C%2BStoria%252C%2BPratica" title="Cita il post nel tuo blog" rel="nofollow" class="image" ><img src="http://www.splinder.com/modules/service_links/blogthis.png" alt="Cita il post nel tuo blog" /></a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="http://www.splinder.com/community/contacts/invite?nid=16941366" title="Segnala il post" rel="nofollow" class="image" target="_blank"><img src="http://www.splinder.com/modules/service_links/emailthis.png" alt="Segnala il post" /></a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="http://del.icio.us/post?url=http%3A%2F%2Fdionysus.splinder.com%2Fpost%2F16941366%2FTeoria%252C%2BStoria%252C%2BPratica&title=Teoria%2C+Storia%2C+Pratica" title="Aggiungi su del.icio.us" rel="nofollow" class="image" target="_blank"><img src="http://www.splinder.com/modules/service_links/delicious.png" alt="Aggiungi su del.icio.us" /></a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="http://digg.com/submit?phase=2&url=http%3A%2F%2Fdionysus.splinder.com%2Fpost%2F16941366%2FTeoria%252C%2BStoria%252C%2BPratica&title=Teoria%2C+Storia%2C+Pratica" title="Aggiungi su digg.com" rel="nofollow" class="image" target="_blank"><img src="http://www.splinder.com/modules/service_links/digg.png" alt="Aggiungi su digg.com" /></a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="http://www.google.com/bookmarks/mark?op=add&bkmk=http%3A%2F%2Fdionysus.splinder.com%2Fpost%2F16941366%2FTeoria%252C%2BStoria%252C%2BPratica&title=Teoria%2C+Storia%2C+Pratica" title="Aggiungi su Google" rel="nofollow" class="image" target="_blank"><img src="http://www.splinder.com/modules/service_links/google.png" alt="Aggiungi su Google" /></a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="http://myweb2.search.yahoo.com/myresults/bookmarklet?u=http%3A%2F%2Fdionysus.splinder.com%2Fpost%2F16941366%2FTeoria%252C%2BStoria%252C%2BPratica&t=Teoria%2C+Storia%2C+Pratica" title="Aggiungi su Yahoo" rel="nofollow" class="image" target="_blank"><img src="http://www.splinder.com/modules/service_links/yahoo.png" alt="Aggiungi su Yahoo" /></a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="http://technorati.com/faves?add=http%3A%2F%2Fdionysus.splinder.com%2Fpost%2F16941366%2FTeoria%252C%2BStoria%252C%2BPratica" title="Aggiungi su Technorati" rel="nofollow" class="image" target="_blank"><img src="http://www.splinder.com/modules/service_links/technorati.png" alt="Aggiungi su Technorati" /></a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="http://www.badzu.net/submit?action=it&link=http%3A%2F%2Fdionysus.splinder.com%2Fpost%2F16941366%2FTeoria%252C%2BStoria%252C%2BPratica&title=Teoria%2C+Storia%2C+Pratica" title="Aggiungi su Badzu" rel="nofollow" class="image" target="_blank"><img src="http://www.splinder.com/modules/service_links/badzu.png" alt="Aggiungi su Badzu" /></a>

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    </content>
<category term="novecento" scheme="http://dionysus.splinder.com/tag" label="novecento" />
<category term="teatrologia" scheme="http://dionysus.splinder.com/tag" label="teatrologia" />
  </entry>
  <entry>
    <title type="html"><![CDATA[Nuova Teatrologia]]></title>
    <link rel="alternate" type="text/html" href="http://dionysus.splinder.com/post/16939924/Nuova+Teatrologia" />
    <id>http://dionysus.splinder.com/post/16939924/Nuova+Teatrologia</id>
    <published>2008-04-30T21:27:17+02:00</published>
    <updated>2008-04-30T21:27:17+02:00</updated>
    <author>
      <name>AstroDelMattino</name>
      <uri>http://cafebaudelaire.splinder.com</uri>
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    <![CDATA[<p>Si assiste in Italia, tra gli anni '60 e '70, ad una rifondazione ( rifondazione vera e propria, in realt&agrave;,&nbsp;totalmente priva dell'ancillarit&agrave; avute nel passato, come quella nei...</p><a href="http://dionysus.splinder.com/post/16939924/Nuova+Teatrologia" >Leggi ancora</a> | Pubblicato da <a href="http://www.splinder.com/profile/AstroDelMattino" >AstroDelMattino</a> | <a href="http://dionysus.splinder.com/post/16939924/Nuova+Teatrologia#comment" >Commenti</a>
<br /><br />Tags: <a href="/myblog/tags/novecento" rel="nofollow">novecento</a>, <a href="/myblog/tags/teatrologia" rel="nofollow">teatrologia</a><br /><br />
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